Peter Jordan is 33 years old and stuck in a dead end retail job at Super Duper Computers. To make matters worse, he's managed to rack up over $35,000 worth of debt. Student Loans, credit cards, Big Screen TV. His love life is equally in debt. Just when it seems he will never break out of his rut, an old high school buddy named Frehley shows up unexpectedly. Under Frehley's influence...

A Halloween party turns south when the issue of race comes up amongst friends.

One warm afternoon, Min-jae was taking a nap and Ji-hong woke him up.

After flight attendant Khanit clashes with three EMTs and his bag is accidentally exchanged with EMT Toto's, the chaotic trio recklessly use his expensive belongings to finance a night out. When the truth comes out and Toto can't afford to pay Khanit back, he agrees to a trade of labour. Khanit tasks Toto with uncovering his boyfriend's cheating. When he does, however, Toto is bribed by Khanit's pilot boyfriend to keep it quiet. As the two spend more time together and their closeness grows, Toto may begin to regret his lie.

Corrupted Blood is a digital archaeological study that examines the infamous digital plague from World of Warcraft. In the game, a contagious bug known as corrupted blood spread rapidly among players’ avatars, creating chaos and unforeseen challenges for the virtual community. This work employs Unreal Engine and machinima techniques to reconstruct the digital aftermath, inviting viewers to navigate the overlooked backstage of game development. By revisiting the digital ruins—termed Fallen Blood—the piece charts a journey through a space once overwhelmed by a viral outbreak and subsequently purged through debugging. The work interrogates how cyberspace is mapped and redefined when digital catastrophe strikes. It also connects the impersonal, gamified portrayal of death with broader reflections on mortality, especially against the backdrop of our post-epidemic era. Through its synthesis of digital art and archival inquiry, Corrupted Blood prompts us to reconsider the relationship between virtual existence and physical life, asking how technology reshapes our understanding of life, death, and the spaces that exist between.

An experienced assassin considers giving up his profession when he meets his society's newest recruit. He soon falls in love with this female assassin who donates her fees to the church. Soon the couple are being chased both by the police and the society which hires them.

Two guys live a different life accidentally switch bodies and force them to learn the life of celebrity and ordinary living.

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

There were two series, each of six episodes, set in a fictional Yorkshire town and based on the books by David Nobbs, the creator of Reginald Perrin and Henry Pratt. Each episode took place at a different social function (a "do") and followed the changing lives of two families, the working-class Simcocks and the middle-class Rodenhursts, together with their respective friends, Rodney and Betty Sillitoe, and Neville Badger. Written by Martin Underwood {[email protected]}

An American soldier finds an abandoned baby in a dumpster. The aircraft's crew welcomed him enthusiastically to provide necessary medical care, but the Korean authorities want to avoid calling the commander to let him in an orphanage. Telefilm based on a true story that occurred in 1953.